experimental animation, 1’, 2025

Kaleidomasina draws on William Blake’s visionary poetic world, especially the motif of The Tyger. In a kaleidoscopic visual space shaped by machine imagination, the characters of the tiger and the lamb appear as interdependent figures. Black-and-white ornamentation, mirrored patterns and visual rhythms dissolve the sharp boundaries between beauty and threat, innocence and wild force. The two poles emerge as conditions of one another: each comes to life in the other’s reflection, distortion and repetition, continuously rearranging the image as reaction and counter-reaction.